Volume XXI (2016), no. 2

The present paper focuses on the relationship between liturgy and sermon-literature. Despite the fact that theoretical summaries do not mention it, there was a common practice that can be observed in the case of the sermon-literature of the Middle Ages and thus that of Pelbartus de Themeswar, namely that the liturgical texts are used as authorities supporting the teachings within the sermon, which explain and express the faith of the Church with a legitimacy similar to other prestigious references. We can observe the operation of the proverb-like theological principle lex orandi lex credendi behind this practice, according to which liturgy is also a source of faith, and in some cases it expresses the faith of the Church even more perfectly than the somewhat abstract manifestations of theology. Pelbartus chooses this particular way of reference in sermon 74 in the summer part of the Pomerium de sanctis, in which he contemplates on the stigmatization of St Francis. The liturgical authorities employed by Pelbartus de Themeswar in his sermons are meant to prove the authenticity of Francis’s stigmata and that they are not the invention of Pelbartus. We can find the parallels of the method in the sermons of Robertus Cracciolus and Osualdus de Lasko, where these liturgical citations appear with particular emphasis on their authority-function.

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The paper presents a group of letters written and received by Miklós Bethlen, preserved in the State Archives of the town of Baia Mare, containing a full history of one of the financial matters of the Chancellor of Transylvania. The story revolves around a sum of money lent to the town of Baia Mare by Anna Hátszegi, widow of János Sombori, who was captured by the Tatars in 1660. The woman then left this money to the Bethlen family in her last will. The story begins for Bethlen in the 1680s, the attempts to collect the debt can be traced in five years’ correspondence, written by Bethlen and his brothers, and also other dignitaries of Transylvania and the Kingdom of Hungary.

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The present research represents the history of a volume of the old Romanian book Pearls of Wisdom, written by John Chrysostom, printed in Bucharest, in 1746. The volume studied is part of the patrimony owned by the Orthodox Theology Library, branch of the Lucian Blaga Central University Library, Cluj-Napoca. It also contains a short presentation of the editions published in Romania, establishing the contents of this editionby tracingthe homilies in the Chrysostom volumes of the Patrologiae Cursus Completus. Series Graecae, the standard edition of the patristic works. The transcription of the notes within the book represents a source of information on the religious and secular history of Oradea in the 18^th and 19^th centuries.

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This paper sets out to retrieve and discuss a set of war poems by Romanian women poets, shaped around a pacifist strain that begins as a reaction to World War I, consolidates during World War II, and intensifies against the background of the communist propaganda in the second half of the fifth decade of the last century. The paper reviews war poems by women poets such as Carmen Sylva, Matilda Cugler-Poni, Maria Cunțan, Elena Văcărescu, Anișoara Odeanu, Magda Isanos, Maria Banuș, Veronica Porumbacu, and Nina Cassian.

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The present paper is committed to the topic of time and narrative. We will firstly draw a contextualizing outline, emphasizing the conditions which brought about the postmodern shift, followed by a cursory survey concerning the cultural aspects of postmodernism. In the second part of the paper, we will review some of the major works in the field of time and narrative. In the last part, we will finally investigate a postmodern British novel (Ian McEwan’s Atonement) by using structuralist and phenomenological instruments of analysis.

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